JEREMY WRITES
  • Home
  • Plays
  • Film
  • About Me
  • Contact Info

Upcoming Productions! Some news about where to see my work...

3/19/2012

 

Coming in April

Separation Anxiety, a film I wrote for Glass City Films, will be screened at the River Bend Film Festival in South Bend, Indiana, on April 13th! The film, was shot in 2009 in Columbus and Toledo, Ohio, under the direction of Cole Simon. Separation Anxiety has gone on to screen at several festivals around the country and took home a Golden Drover for Best Director for Cole at the 2011 Trail Dance Film Festival. Glass City is a Chicago-based company that has a slew of feature films, shorts, music videos, and documentaries to their credit --- and they are growing. I'm looking forward to what they do next! A great group of professionals, I encourage you to visit their website to learn more about them. The movie is available on DVD and you can watch the trailer to the right.

Visit The River Bend Film Festival to get tickets and for more information about the April 13th screening and the festival.

 

10 minute play hits Philadelphia in June

Picture
Courtesy of Luna Theater Company
Luna Theater Company presents their inaugural new play fest this summer with the Solstice Play Festival and I am thrilled to be involved. Got an email this week from their Literary Manager Jeremy Gable to invite my new 10-minute play, The Cosmonaut in Human Resources, to be part of this week of world premieres!  Cosmonaut was developed in my MFA playwriting seminar this past Fall and I'm excited to have its first staging happen at Luna! Here's a line-up of the shows they're producing in this year's festival:
  • Their Master's Voice by Larry Pontius
  • The Cosmonaut in Human Resources by Jeremy Sony
  • Telltale Signs by Quinn Eli
  • Shelly by Alex Dremann
  • My Robs by Ron Burch
  • Militant by Eoin Carney
  • Little World by Joy Cutler
  • Inbox: Empty or Airport: Scanning by Kate Brennan
  • Homeschooling of Jonathan Anderson by Sean Christopher Lewis
  • Cycles of the Moon by Jae Kramisen
Of the other playwrights, I've met (and seen the work of) Sean Christopher Lewis. Based on him alone, I'm happy to be in the company of these writers. Congrats to everyone whose work was chosen for the festival and huge thanks to Luna Theater Company for including me. Visit Luna Theater Company's website to keep informed about the festival, how to get tickets, and all that fun.



Jere's World - Two Minutes at a Time

3/13/2012

 
So I created a webseries. Yes. Onto that bandwagon have I jumped (see what I did there, being all clever and referencing a wildly popular webseries next to my own). Why create a webseries? I'll get to that. For the moment, let's all acknowledge this grand experiment, which shall henceforth be known as:
Picture
In short increments, the tales of a man named Jere (a man not unlike me, and yet not like me) will be parceled out over the internet through the wonders of YouTube. Originally conceived as a project for my Winter Seminar at Ohio University, I am now working to develop it out beyond the one video. It's an interesting process; taking on such a short format. In my MFA program, we attack the 4-5 minute form on a weekly basis, but this is the first time I've ever tried anything so short. And with footage. That needed editing. The experiment here will be to watch how the rest of the series develops... how it showcases me as a writer... what kind of writer will it showcase me to be? Funny? Dark? Sentimental? Upon posting, my professor said he noticed a level of humor in it that he's not accustomed to seeing from me. Maybe that's just my style on the web. There's a lot of heavy stuff out there on the web, so maybe the best way to deal with it is to add a dash of levity. Then again, I chose to set my first episode in an office -- and these days the idea of me back in a cubicle always gets e chuckling.
    So take a gander. Enjoy. Share. Comment. Don't comment. What-have-you. Thanks for watching!

Video Game Design Applied to Narrative Structure

3/12/2012

 
This past week, my colleague Mark Chrisler brought this to my attention. Aside from the fact that it involves one of my favorite video games from my youth (Mega Man and all his glory), it has some fascinating stuff to say about how we learn from watching action in a narrative. The video itself is about 20 minutes and worth your time. It breaks down the pros and cons of video game design and chiefly tackles the idea of conveyance -- a system for teaching the player how to play through gameplay instead of instruction manuals or training levels (as is popular in video games today). As you'll see in the breakdown, Mega Man was fantastic in that it didn't tell you how to play -- you figured out the rules of the world simply by living in it and taking action.
    With that in mind, I am now paying more attention to plays, TV, film (pretty much any narrative structure) to see if the rules of the world are shown to me by characters taking action and learning or through exposition. That's what I equate instruction manuals to, exposition. That clunky, painful, and (falsely) believed important addition to every play, TV show, and movie you've ever seen. If we can teach audiences the rules of a video game through playing the game (i.e. action), then why can't we teach audience the rules of our plays the same way? Show, don't tell. Isn't that what we're taught. And yet I'm as guilty as the next writer for smearing exposition throughout a play (especially at the outset) so I can make sure everyone is understanding how the world works. Thinking about exposition as the detriment to conveyance has been quite helpful. When ever a character begins to explain anything to anyone, I stop and try to figure out if there is a way for that character to take action and let those actions speak volumes.
    An example of this happened in AMC's The Walking Dead a couple weeks ago. Without giving away any spoilers, I'll just say that a character needed to lure a zombie over, so he cut his finger and the zombie smelled the blood, wandered close and then stuff happened... the point here is that there were two characters in the scene and the one with the idea didn't stop and explain it. No words were really said. He didn't tell us what he was doing. He took action. That created a reaction. The story continued. Later in the episode, when that other character found himself in a sticky situation, he pulled out a knife and (again, without saying a word) we knew what he had to do. We, the audience, understood a new rule in the world -- all done with action rather than exposition.
    Sit back and watch the Mega Man breakdown and let me know your thoughts. Does conveyance work on stage, etc.? How would you use it? Are you already doing this? Is there such a thing as "good exposition?" Be warned, the video has some swearing, so it's probably NSFW if you're not wearing headphones (not too mention it's about Mega Man and clearly looks nothing like work unless you're lucky enough to work in a creative field where watching stuff like this is encouraged and rewarded -- and if so, good on you).

    Jeremy's blog

    Thoughts. From my brain. Anything to do with how we tell stories and the stories we tell each other. Literally and figuratively. 

    Join me on twitter @JeremyWrites to keep the conversation going. 

    About Jeremy

    Picture
    Writer. Husband. Father. Effulgent dreamer. A Fightin' Irishman (@NDdotEDU '01). A playwriting Bobcat (MFA in Playwriting, @OhioU '13). I write plays. I'm a geek. I wanted to be an astronaut. I go places in my head.

    RSS Feed

    Categories

    All
    Broadway
    Columbus
    Emerging Theatre
    Film
    Frackture
    Glass City Films
    Graduate School
    GroveCityPlay
    Ichabod
    Jaclyn Villano
    Mark Chrisler
    Narrative Structure
    Nashville
    Networking
    #newplay
    Ohio University
    RobinHood
    Separation Anxiety
    Submissioncalendar.com
    Theatre Daedalus
    The Face Of Contrition
    Tnrep
    Tv
    Webseries
    Wonderland
    Writing For Our Daughters
    Zombies

    Archives

    January 2022
    November 2017
    January 2017
    September 2016
    March 2016
    August 2015
    June 2015
    May 2015
    February 2015
    January 2015
    November 2014
    October 2014
    September 2014
    June 2014
    May 2014
    April 2014
    February 2014
    January 2014
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    December 2012
    November 2012
    October 2012
    September 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    December 2011
    November 2011
    May 2011
    March 2011
    December 2010

Powered by Create your own unique website with customizable templates.
  • Home
  • Plays
  • Film
  • About Me
  • Contact Info